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Understanding Can Print Finishes — ECC Knowledge Centre

Understanding Can
Print Finishes

A plain-English guide to finish and varnish selections on digitally printed cans.

When you place a digital print order with ECC, you’ll be asked to select a finish type and a varnish option. For a lot of customers this is where things get confusing fast.

This article walks through every option available, what it actually does, and what it means for your artwork. No design degree required.

How ECC Prints Your Can

All ECC digital printing is direct to the surface of a bare aluminium can using Hinterkopf inkjet technology. There are no labels involved. The printer lays down CMYK colour ink, white ink, and varnish directly onto the silver aluminium.

The silver base of the can is always the starting point. Every finish type works with or around that silver base in a different way. Understanding that is the key to understanding your finish options.

Select Finish

When ordering, you will be asked to select a finish type. There are two options in the portal: Standard Finish and Metallic/Spot Silver Finish.

Portal — Select Finish dropdown
ECC portal showing the Select Finish dropdown
Standard Finish
What it is

The most common finish. The can is flood-coated with white ink first, and your full CMYK artwork prints over the top of that white base. The silver aluminium underneath is completely covered.

What you see

Vivid, opaque colour from edge to edge. Think of it like printing on white paper. Whatever you design is what you get.

Artwork Requirements
  • No white spot colour or white layer required
  • Treat the artboard as a white background
  • White flood coat is applied automatically during production
TIP: If your design has a white background, this is almost always the right finish.
Metallic/Spot Silver Finish

This finish category covers two distinct design effects — Spot Silver and Metallic. Both require a white ink layer in your artwork. Here is how they differ.

Spot Silver

Parts of the raw aluminium are intentionally left exposed. White ink is placed only in specific areas of the design, and where white ink is absent the silver base shows through. CMYK then overprints the white areas as usual.

The silver is not ink — it is the actual can reflecting light. Areas with silver will shift slightly depending on the light around them.

TIP: Silver works best as a deliberate design element — a logo knockout, a border, a background texture. Plan it in from the start.
Metallic

Colour ink is printed directly over the silver can base with no white ink underneath. The silver reflects back through the ink, creating colours that shift and glow.

Rich, dark shades work particularly well. Lighter shades can look washed out because there is not enough pigment density to hold against the reflective base.

TIP: Stick to deeper colours — navy, forest green, burgundy, dark gold. Flag metallic areas in your artwork using the swatch name Metallic_colour.
Artwork Requirements — Both Spot Silver & Metallic
  • A spot white colour and dedicated white ink layer are required
  • Use the colour named Spot_White — included in all ECC can templates
  • The printer uses this layer to map where white ink is and is not applied
  • Where Spot_White is absent, the silver base will be exposed

Select Varnish Type

After selecting your finish, you will select a varnish type. There are three options. All Over Gloss and All Over Matte require no changes to your artwork. Spot Gloss Varnish does.

Portal — Select Varnish Type dropdown
ECC portal showing the Select Varnish Type dropdown
All Over Gloss Varnish
What it is

A high-shine coat applied across the entire printed surface of the can. It deepens colour slightly and gives the can a polished feel.

What you see

A reflective, glossy surface. Colours look richer. The can feels premium in hand.

Artwork Requirements
  • Nothing — applied automatically during printing
  • No special layer or swatch needed in your artwork file
All Over Matte Varnish
What it is

A flat, non-reflective coat applied across the entire printed surface. The finish is smooth and tactile rather than shiny.

What you see

A soft, understated surface. Colours appear slightly more muted than gloss. Quietly premium.

Artwork Requirements
  • Nothing — applied automatically during printing
  • No special layer or swatch needed in your artwork file
NOTE: All Over Gloss and All Over Matte cannot both be applied to the same can. If you want both effects in the same design, use Spot Gloss Varnish.
Spot Gloss Varnish
What it is

Gloss varnish applied to specific, nominated elements of your design while the rest of the can stays matte. The contrast between the gloss and matte areas is the effect.

What you see

Certain parts of your design catching the light — a logo, a pattern, a key word — while the rest stays flat. The contrast is more noticeable in certain lighting conditions.

Artwork Requirements
  • Create a separate spot colour named Spot Gloss Varnish
  • Apply it only to the elements you want varnished
  • Keep it on a separate layer named Spot Varnish
  • The prepress team will use this layer to map where varnish is applied
TIP: Spot Gloss Varnish works best used with intention — a logo mark, a key graphic, a brand name. Using it across too much of the design reduces the contrast effect.

Quick Reference

Standard Finish

Full colour on white base. No special artwork required. Vivid and opaque from edge to edge.

Metallic/Spot Silver — Spot Silver

Raw aluminium exposed as a design element. Requires Spot_White layer. Silver shows through where white ink is absent.

Metallic/Spot Silver — Metallic

Colour over silver base creates metallic glow. Requires Spot_White layer. Dark, rich colours work best.

All Over Gloss Varnish

High-shine coat across the whole can. Applied automatically. No artwork changes needed.

All Over Matte Varnish

Soft, flat coat across the whole can. Applied automatically. No artwork changes needed.

Spot Gloss Varnish

Gloss on specific elements only. Rest stays matte. Requires Spot Gloss Varnish layer in artwork.

Still not sure?

Talk to the prepress team before you submit. It’s easier to plan a finish from the start than rework artwork after the fact.

Contact Prepress

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